Dans un groupe canadien
snfuHe seemed shy and so confused
Now that he's older, he's last year's news
She is looking for somebody fresh and young
She is looking for someone less miserable
She's looking for somebody better
Much better than Eddie Vedder
His pictures used to line her locker
But they don't hang there any longer
She has gone, and she has burned them all
Eddie comes crashing down from her bathroom wall
Now she's looking for somebody cuter
Someone more fun who rides a scooter
Eddie hides his face under a jokeshop mask
Eddie, you missed the grade, you failed the test
She's looking for somebody better
Much better than Eddie Vedder
http://www.lastfm.fr/music/SNFU/_/Bette ... die+VedderEt
"My Baby's in Love with Eddie Vedder" (
Yankovic)
"My Baby's In Love With Eddie Vedder"
Oh, my baby, my baby she don't want me no more
Ever since she saw his poster in that record store
She says the way he grinds his molars is really sexy
She thinks he's so darn dysfunctional and "Generation X"y
She likes his brooding angst and his wild-eyed stare
Yeah, he's her very favorite slacker multi-millionaire
Well, my baby's in love with Eddie Vedder
She's all crazy 'bout that Eddie Vedder
Once she was mine, but now I better just forget her
'Cause my baby's in love with Eddie Vedder
Now, every time I see him, well, he looks so grim
I guess it really must suck to be a rock star like him
What a pain in the butt to have so much success
Spending all his time moping and avoiding the press
But my girl can't get enough of his sullen demeanor
Like he's some big tortured genious and I'm some kinda wiener
Well, my baby's in love with Eddie Vedder
She's got a thing for that Eddie Vedder
Tell me, what can he do that I can't do better
Now my baby's in love with
I said I said I said my baby's in love with Eddie Vedder
Head over heels for that Eddie Vedder
I cant believe it, now she's knitting him a sweater
'Cause my baby's in love with Eddie Vedder
I knew we were headin' for disaster
When she caught me hangin' out at the Ticketmaster
Now she's got an unrequited adoratioon
For the frustrated, agitated, designated alienated
Spokesman for the disaffected grunge generation
Well, I don't wear Doc MArtens and I don't wear flannel
And I don't boycott the music video channel
And I just can't compete with all that money and fame
But I know two can play at this game
Yeah, well, let's just see how jealous she'll get
When I start stalking Alanis Morissette
Well, mny baby's in love with Eddie Vedder
She's all crazy 'bout that Eddie Vedder
Once she was mine but now I better just forget her
'Cause my baby's in love with
I said I said I said my baby's in love with Eddie Vedder
Why'd she have to fall for that Eddie Vedder
If she wants to leave me, I guess I better let her
'Cause my baby's in love with Eddie Vedder
http://www.youtube.com/watch?v=0eXyDp__hzo+ une analyse de texte de betterman
http://www.examiner.com/x-1222-SF-Rock- ... stepfatheret une belle photo, avec almodovar en arrière plan si je ne dis pas de bêtises

et vedder cité dans un article sur les bagnoles, au tout début
http://kennebecjournal.mainetoday.com/n ... 76147.htmlet des footeux citent Vedder
http://www.tribalfootball.com/lalas-sla ... erg-222421Une rencontre entre Bruce et Eddie narrée par Don Ienner boss de sony music
Do you remember that first meeting with Bruce?
Yes. And Jon rallied me to go to Columbia. He liked me and wanted me there. Obviously, it worked very well for us, as a partnership in the Bruce Springsteen business. My wife and I and our friends had probably been to 40 shows, as fans. I was an insatiable Bruce Springsteen fanatic. "Thunder Road" was my wedding song, so this is it for me. These are not just records, this is my bible. This is something that transcended my personal life, and he made me feel so comfortable as he has over the last twenty years. We’re friends outside of Columbia, outside of my role at Sony. We’ve taken our motorcycle trips together and I’m friends with Patti and he’s friends with my wife. We worked very hard on a lot of music together. I guess the culmination is when he called me up onstage at Shea Stadium at the end of the Rising tour to sing "Twist & Shout."
So, I was a little afraid, but it was incredible and to watch Bruce’s work ethic and Jon’s work ethic, how they just work through an album. When you see the amount of pride and thoughtfulness and intelligence that goes into a Bruce Springsteen record and the seriousness with which he writes and contemplates, it’s just something for every artist to see. Over the years I’ve taken so many artists backstage to see Bruce. He has never been more gracious to these young artists that come up. Just as "Ten" was breaking for Pearl Jam, I took Eddie Vedder to a show in Jersey. Bruce sat with him for 20 minutes backstage. Eddie came out and he looked like he has just seen a ghost and said ‘I would have never been able to meet him. As a matter of fact I would have only been able to see him in the last row at the San Diego Coliseum or wherever when I was living there.’ And he ended up doing “Growing Up” the next day, at Lollapalooza in Long Island.
So, Bruce is just that influential and that strong and inspired me to do my best work every time and to never sacrifice. Something I learned from Clive is never compromise. I think that’s a better word. Never compromise. Stick to it, stick to it, stick to it, until its right. And we did that even on "the Rising," where "Into the Fire" was going to be the first single and over the weekend I had this epiphany where I must have listened 30 times to "the Rising" as an A/B to "Into The Fire." "Into The Fire" is an incredible song, but "The Rising" to me was the centerpiece of that album. It was going to be "The Rising" tour, "The Rising" album, so I call Jon and said I just listened 10 times, 20 times to each of them, you've got to talk to Bruce. We’ve got to think about making “The Rising” the song. And Bruce ended up agreeing. It sort of made everyone understand that this was a rock-based album. This is a Bruce Springsteen rock album. And “Into The Fire” was a little bit more introspective and this sort of really drove it home. And I had the pleasure of helping. I had the pleasure of working with Bob Dylan on “Time Out of Mind.”
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