*** Backspacer ***

[nighthawk]

essaye vendredi/samedi
avant ils le faisaient ... now je sais pas trop, avec les histoires et jussieu musique qui a fermé a priori en partie a cause de ca ...
moi je vais tenter de toute facon
je te call si je le vois sinon hein

ça roule... thank you beaucoup !

[fredbab]

moi j'aime les trous à la Yield !
Merci Matt !!!
j'en rajoute une couche hein, superbe album, super son !

[Angel Dust]

moi j'aime les trous à la Yield !
Merci Matt !!!
j'en rajoute une couche hein, superbe album, super son !

+1

[Denis]

Ca me plait vraiment !

matt, une ch'tite photo du cd, y a moyen ?

[dvi2702]

Merci Denis !!!

[Denis]

il l'air sympa, le package, mais je ne vois pas de crédits instruments, genre qui joue quoi, etc etc. J'aimerais identifier certains instruments, comme le hautbois (?) au début de Just Breathe. Vivement le cercle noir!

[dvi2702]

il l'air sympa, le package, mais je ne vois pas de crédits instruments, genre qui joue quoi, etc etc. J'aimerais identifier certains instruments, comme le hautbois (?) au début de Just Breathe. Vivement le cercle noir!

Faut se laisser un peu de mystère quand même.
Un hautbois (?) pourquoi pas, il me semble, je ne sais plus sur quel titre, qu'il y a même des castagnettes.

[Blue, Red,Yellow]

il l'air sympa, le package, mais je ne vois pas de crédits instruments, genre qui joue quoi, etc etc. J'aimerais identifier certains instruments, comme le hautbois (?) au début de Just Breathe. Vivement le cercle noir!

Faut se laisser un peu de mystère quand même.
Un hautbois (?) pourquoi pas, il me semble, je ne sais plus sur quel titre, qu'il y a même des castagnettes.

Ca ressemble à une flûte traversière ou flûte de pan mais je me demande si c'est pas fait au clavier tout simplement...

[Jon]

Avez-vous déjà des nouvelles du 10C pour l'envoi du CD et/ou vinyl?

[dranx]

moi j'aime les trous à la Yield !
Merci Matt !!!
j'en rajoute une couche hein, superbe album, super son !

+1

+ 1

C'est de la bombarde.. Hâte d'avoir le skeud et packaging dans les pognes.. Merci pour les tofs !!

[Denis]

il l'air sympa, le package, mais je ne vois pas de crédits instruments, genre qui joue quoi, etc etc. J'aimerais identifier certains instruments, comme le hautbois (?) au début de Just Breathe. Vivement le cercle noir!

Faut se laisser un peu de mystère quand même.
Un hautbois (?) pourquoi pas, il me semble, je ne sais plus sur quel titre, qu'il y a même des castagnettes.

Ca ressemble à une flûte traversière ou flûte de pan mais je me demande si c'est pas fait au clavier tout simplement...

J'avais, je pense, lu un truc qui disait qu'il y avait des instruments à vent, maintenant, les synthés de BOB sont remplis de trucs bizarres...

[Olikatie]

merci beaucoup matt!

Backspacer forever!!

[Olikatie]

à vos clavier!

http://www.rocknfrance.com/chronique-al ... i10325.php

Nous n'avons pas pu chroniquer l'album de Pearl Jam - Backspacer pour le moment, soit par manque de temps, de chroniqueurs, soit car nous ne disposons tout simplement pas de l'album pour écoute. Si par hasard, tu as des talents de rédacteur et que tu souhaites rejoindre notre équipe pour nous aider à publier toujours plus d'articles, rendez-vous dans la rubrique recrutement. Que tu aimes ou pas cet album de Pearl Jam - Backspacer, n'oublie pas de laisser un commentaire. Merci par avance pour ta participation ...

L'équipe Rock'n'France

[Olikatie]

http://www.villagevoice.com/2009-09-15/ ... backspacer

In Defense of Pearl Jam's Backspacer
Seattle's second-favorite sons gamely redefine their Target audience


Eddie Vedder has finally shaken the dead guy who has been haunting him. Two decades ago, Kurt Cobain dogged Pearl Jam as sellouts, dismissing his grunge rivals as "cock-rock fusion" and their gala debut, Ten, as insufficiently "alternative" because it had too many guitar leads. Ever since, Vedder has been out to prove the dead guy wrong, overtly or covertly. But with the release of Backspacer, Pearl Jam's half-awesome, half-blah ninth studio album, Vedder and the boys from Seattle have come to the realization that maybe they are sellouts of a sort—and that there's nothing wrong with that, if they're comfortable with who they are as a band and with the contradictory decisions they've made.

The strongest evidence of the band's newfound disposition lies in their unexpected partnership with Target. The big-box giant is the only place you can buy Backspacer, save for the band's own website and randomly selected "indie" music stores. It's a controversial, aggressively capitalist move after years of towing the line against corporate America. But this new music, too, proves that Pearl Jam aren't concerned with living up to expectations. Instead of trendy Bush-bashing or third-person narratives about marginalized youngsters common in his prime, Vedder now favors first-person introspection and meditations on mortality.

There's also a focus on the band's prowess as a unit, as opposed to an all-Vedder-all-the-time approach. Prime examples include "The Fixer" (a song literally about collaboration, penned by drummer Matt Cameron) and "Johnny Guitar," a grease-in-the-hair, cigarette-pack-in-the-T-shirt-sleeve jam with a totally unorthodox arrangement, also compliments of Cameron. Indeed, Pearl Jam are at peace here, but not yet complacent, diversifying in the autumn of their career, while contemporaries like U2 or Wilco are either getting more contrived or sticking with what's tried-and-true.

It's not hard to see how Pearl Jam landed in this predicament. After their initial thrall of mid-'90s success (despite Cobain's derision), they developed an iron-clad ethical compass, transforming into, first and foremost, a band of integrity—occasionally, to the music's detriment. The Ticketmaster court battle. The activism. The anti-corporate loathing, made manifest in Vedder's tearing down of ad signage at concerts. All rocking notes. The trouble is that Pearl Jam tickets now usually cost a small fortune. Their widespread benevolence has undermined their intent toward any cause in particular. And, obviously, Target.

There's a flipside to that, though, because after eight albums with Sony, the band is releasing Backspacer themselves. It's not clear which party made that decision, but it doesn't really matter: Pearl Jam don't need a major label. Chances are they're stoked to dictate their own marketing, release music when and how they want to, and, of course, increase their margins (the band will reportedly make $5 on each copy of Backspacer, whereas they'd make roughly a third of that under previous conditions). Besides, what's so wrong with exercising a little entrepreneurialism, creating a new paradigm in an industry without one? If the superfans who pre-ordered the record through the band's website want access to the live performances available only on the Target disc, well, then they'll just have to buy the album again.

But back to the music. Backspacer, a mere novella at only 36 and a half minutes, was produced by Brendan O'Brien, who helmed what many Pearl Jam connoisseurs consider the band's four finest albums—Vs., Vitalogy, No Code, and Yield—before going on hiatus. O'Brien is responsible for honing the band's ragamuffin sound into something that emphasized musical virtuosity, lyrical focus, and fewer cock-rock guitar leads, an excellent philosophy largely ignored on their last few albums and wisely resurrected here, albeit intermittently.

The first five songs are brilliantly sequenced, wide-ranging in texture, and ridiculously melodic. Furious opener "Gonna See My Friend" finds Vedder shredding his nodes as he riffs (maybe) on staging an intervention for a long-lost friend, followed by "Got Some," with Vedder barking more words of encouragement, building on the previous song's momentum. "The Fixer" is a total about-face, a pop song with just enough snazzy guitar licks to qualify as rock despite the buoyant "Yeah! Yeah! Yeah! Yeah!" refrain that'll have Jonas Brothers fans singing along en masse by Christmastime. Then comes potential sleeper hit "Johnny Guitar," featuring some of Vedder's most adventurous phrasing, rounded out by "Just Breathe," an acoustic leftover from Vedder's splendid Into the Wild soundtrack that finds him passionately lamenting, "Yes, I understand/That every life must end."

The record's second half unfortunately trades in retread topics and middling music that seemingly calls for everyone to play at once, on top of each other, without any regard for nuance. "Amongst the Waves" is yet another ode to surfing that tries—but fails—to live up to the epic, grunge-era classic "State of Love and Trust." With "Speed of Sound" and "Force of Nature," the titles pretty much speak for themselves. The only highlight, really, is the strings- and horns-inflected closing track, "The End," and that's because it ends like a ruptured aneurysm on the lines "I'm here/But not much longer." Too morbid for comfort? Sure, but Kurt Cobain can't say the same.

[masterofmullets]

+1 aussi

[le moustique rouge]

Avez-vous déjà des nouvelles du 10C pour l'envoi du CD et/ou vinyl?

oui le cd est parti aujourd'hui (livraison dans 4 à 8 semaines)

Dear le moustique rouge,

Your order has been processed and will ship within 24 hours.

Domestic orders are shipped via USPS First Class/Priority Mail and
will arrive in 3-5 days. International orders can take up to 4-8
weeks for delivery. Please take into account holidays and poor
weather conditions. Shipments to Canada, Mexico and Australia can
expect delays due to increased Customs scrutiny.

If you have any questions or concerns, please contact
shipping@tenclub.net.

Sincerely,

The Ten Club

[Denis]

pour te remonter le moral, c'est en fait livraison "jusque 4 à 8 semaines". Non, ça ne veut pas dire grand chose, mais c'est comme ça

Avez-vous déjà des nouvelles du 10C pour l'envoi du CD et/ou vinyl?

oui le cd est parti aujourd'hui (livraison dans 4 à 8 semaines)

Dear le moustique rouge,

Your order has been processed and will ship within 24 hours.

Domestic orders are shipped via USPS First Class/Priority Mail and
will arrive in 3-5 days. International orders can take up to 4-8
weeks for delivery. Please take into account holidays and poor
weather conditions. Shipments to Canada, Mexico and Australia can
expect delays due to increased Customs scrutiny.

If you have any questions or concerns, please contact
shipping@tenclub.net.

Sincerely,

The Ten Club

[Olikatie]

Cede.ch m'a envoyé aujourd'hui le cd en version EU deluxe/first edition et japonaise

[Blue, Red,Yellow]

J'ai pas suivi, c'est quoi les différentes versions?

[strummer]

c'est vraiment des trous du cul, t'es au fan club et tu reçois ton disque après tout le monde mais tu le payes au même prix, et moi je suis un con de m'être encore fait niquer par ces nazes