Los Angeles, le 9 juillet 2006 – Topic officiel

Tournée 2006, comptes-rendus, souvenirs de la tournée par les membres du forum

Los Angeles, le 9 juillet 2006 – Topic officiel

Message par Olikatie » Mar Avr 25, 2006 10:07 am

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Salle: The Forum
Première partie: Sonic Youth
Nbre de spectateurs:
Membre(s) du PJforum présent(s): -

Soundcheck:
Life Wasted, Last Kiss, Slight of Hand, Thin Air, jam, I Believe in Miracles

Preset:
Porch

Setlist:
Release, World Wide Suicide, Corduroy, Do The Evolution, Given To Fly, Severed Hand, Jeremy, Gone, Even Flow, Unemployable, Wasted Reprise, Betterman, Whipping, Not For You (Modern Girl tag), Inside Job, Life Wasted, Rearviewmirror

Rappels #1:
Small Town, Come Back, Here's to the Country (w/Tim Robbins), Black (We belong together tag), Crown of Thorns, Alive

Rappels #2:
Last Kiss, Comatose, Why Go, Big Wave, Baba O'Riley, Yellow Ledbetter w/Star Spangled tag

Topic officiel de la message pit
Dernière édition par Olikatie le Mar Juil 11, 2006 5:22 am, édité 7 fois.
:bb: Jeremy est né le 28.04.06 et Fanny le 17.07.09 :bb:
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Message par Jezus » Lun Juil 10, 2006 8:05 am

Soundcheck: unconfirmed
Life Wasted, Last Kiss, Slight of Hand, Thin Air, a jam, I Believe in Miracles

Preset:
Porch

Main:
Release, Corduroy, DTE, Given To Fly, Severed Hand, Jeremy, Gone, Evenflow, Unemployable, Wasted Reprise, Betterman (tagless), Whipping, Not For You (Modern Girl tag), Inside Job!, Life Wasted, RVM

Encore 1:
Small Town, Come Back, Here's to the Country (w/Tim Robbins), Black (We belong together tag), Crown of Thorns, Alive



Notes: not completely sure this is the entire setlist just yet. Ed seems pretty chatty tonight. Lots of back and forth with the crowd. Clapfest during N4U.
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Message par Olikatie » Lun Juil 10, 2006 9:00 am

setlist complète
:bb: Jeremy est né le 28.04.06 et Fanny le 17.07.09 :bb:
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Message par Mikeb » Lun Juil 10, 2006 10:13 am

J'ai une question très conne.... mais je me lance.

Le preset ils les font devant le public avant la première partie ou c'est fait avant, quand la salle est vide?

Ce soir, peut-etre, je me coucherai moins con...
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Message par mike baroud » Lun Juil 10, 2006 10:14 am

Mikeb a écrit :J'ai une question très conne.... mais je me lance.

Le preset ils les font devant le public avant la première partie ou c'est fait avant, quand la salle est vide?

Ce soir, peut-etre, je me coucherai moins con...


pre set devant le public, soundcheck sans personne (en théorie)
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Message par Mikeb » Lun Juil 10, 2006 10:15 am

Thanks.
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Message par Olikatie » Lun Juil 10, 2006 12:44 pm

wouldn't say this is the best PJ show I've been to (One Detroit show might have been better, and the Icebowl was more memorable) - but it was amazing nonetheless.

I haven't seen the boys live in 6 years. I have been drooling for this day to come and wearing my fingers down to the bone in hopes of getting tickets to the Wednesday club show.

But now, instead of being resigned to the fact that I won't get in, I am content with it. What I witnessed tonight was so amazing that I can miss the club show and not feel left out.

The Porch pre-set was pretty good. Release as an opener was amazing. The whole show was like the TEN-AVOCADO album tour with a few other things sprinkled in. All of the new songs were amazing, although the sound mix sounded a little off (I couldn't thoroughly enjoy Mike's Evenflow solo 'cause it sounded like they had him turned down way too low.

Given to Fly into Severed Hand was amazing. The "If I don't lose control..." poem at the end of SH was all I hoped it would be.

Of all the songs for EV to forget words to, you wouldn't think it would be Jeremy - but sure enough he did. It was still the most energetic performance of this song I've ever seen. The boys were full of passion and intensity tonight and it showed on tracks like this.

Gone was good.

See previous comment on Evenflow - (and add the fact that Matt's drum solo was something special to behold).

Unemployable - good performance highlighted by EV comments concerning the protesters outside (re: employee dispute at the forum), EV basically saying that they support the workers and the union, etc.

Wasted Reprise was the one time we could hear Boom clearly - again, it may have been a mixing issue, or the guys could have just been rocking out so hard that the B3 wasn't noticed.

Betterman - excellent version - standard version - my wife loved it. It was performed sans tag, which was odd - but no complaints here.

WHIPPING!!! This was the biggest surprise of the night for me. Although - was Ed singing something instead of "The WHIPPING...." during the chorus? It sounded different. But it was great to hear this classic again.

Not For You - I could have sworn that when I heard the opening chords that they were going to bust into Light Years, but they proved me wrong and delivered a rolicking version of N4U... Well done.

Inside Job - sweet McCready goodness. Band really gelled on this song and the vibe it sent through the auditorium was great. (Hearing this song also made me long to hear NAIS, but maybe next time).

Life Wasted - Probably a pretty good version of the song - but I was still thinking about Inside Job. and then...

REARVIEWMIRROR!!! I disagree with the guy above who said it was the best RVM ever, but it was damn good. They tore it up and mellowed it down and then blew the roof off the joint. Seriously, they could have ended the show with this specific performance and everyone would have been happy.

ENCORE 1:

Small Town was pleasant to hear. Great audience singalong.

Come Back: Was really hoping to hear this song. They did it wonderful justice live. Arguably my favorite song on PJ (mixing it up with Severed Hand). Ed's vocals were great.

Here's to the Country: I admit, I wasn't thrilled when he started talking about this song - but it's forgivable. And the addition of Tim Robbins made the novelty alone worth the 6 minutes the song ate up. Tim Robbins needs to stop trying to sound like Bob Dylan. Vedder's voice was gold.

Black - Great version you come to expect with the WBT tag and a slow, bluesy end to it.

Crown of Thorns: I honestly thought that this was a song that I might never ever hear live. Hearing this song tonight, alone, was worth the price of admission for me. The song has so much meaning to me, and add in the MLB and Andy Wood references, and it was just special.

ALIVE: The curse was nowhere in sight - this song felt celebratory and the band rocked it.

ENCORE 2:

Last Kiss. Crowd favorite. Wife favorite. The band seemed to enjoy themselves, and I was glad to see the people in the back of the house get some attention...

Comatose: As righteous in person as I thought it would be. Great energy, great sound.

WHY GO: One of my all-time favorites and a bit of a surprise for me. Rocked the house and had us all hoping that nobody was going to be going home any time soon.

Big Wave: Talked about Surfrider and a local surfing-related charity that funds from tonight would go to. The song rocked, but it was evident that the remaining audience around us were not familiar with the song.

BABA: Baba rocked the house - and the 60-something guy I saw in the section over. Everyone knew this song, and sang along, and liked it.

YL: Speaks for itself. This is the song to say goodbye to. And Vedder sitting on the stage, drinking wine and watching McCready in awe during the SSB portion was a highlight.



RANDOM THOUGHTS AND CONCLUSIONS:

That McCready guy knows how to play a guitar.

If you saw a guy in a Milwaukee Brewers hat around Col 12 - that was me.

Don't ever talk to me about my Milwaukee Brewers hat while I am pissing in a trough.

Tim Robbins means well...

If I don't make it to the Wednesday club show, I'm fine with that, because tonight was so satisfying.

The boys showed high energy and passion - no sign of slowing down.

Expect heavy doses of Riot Act, Binaural and No Code tomorrow night, because they were MIA tonight.
:bb: Jeremy est né le 28.04.06 et Fanny le 17.07.09 :bb:
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Message par Olikatie » Mar Juil 11, 2006 5:30 am

http://www.dailynews.com/entertainment/ci_4033584

Pearl Jam wows Forum crowd

"It's Sunday, but we're going to approach this like it's Saturday night."

Eddie Vedder, Pearl Jam's spitfire front man, lived up to those words in more than three hours of nonstop excitement in the opening date of two sold out nights at the Forum on Sunday. The show, which took in 15 years of hits, obscurities and unexpected cover songs - along with political barbs and an onstage visit from actor-director Tim Robbins - had fans at the packed Inglewood venue pumping fists and singing along in an exhilarating rock show.

Vedder and the band were in superb form, opening with a punchy trio of hard-hitters "Release," "World Wide Suicide" and "Corduroy." Lighting was subtle, with the five-member group bathed in blue lights without the huge video screens common to arena shows. Instead, fans were forced to pay attention to the powerful music rather than TV-like images - but the audience was also forced to squint to see the personalities putting forth that music.

Among many unforgettable moments Sunday were versions of stunning early hits "Jeremy" and "Even Flow" and a passionate "Better Man."

For the first of two lengthy encores, Vedder introduced Robbins for a duet of a Phil Ochs protest songs, renamed "Here's to the State Of George W." (from the original "Here's To the State of Mississippi"). The song, which blasted the administration, drew cheers.

Later, Pearl Jam evoked strong feelings of poignancy with "Crown Of Thorns" (by Mother Love Bone) and the amazing "Alive," which had the crowd singing along at full volume.

A final encore included covers of "Last Kiss" and "Baba O'Riley," which were highlights of one of the year's best shows.

Pearl Jam appear at the Forum again tonight. Don't miss it.
:bb: Jeremy est né le 28.04.06 et Fanny le 17.07.09 :bb:
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Message par Olikatie » Mar Juil 11, 2006 5:33 am

http://www.variety.com/review/VE1117931 ... id=34&cs=1

Image

Pearl Jam; Sonic Youth

(Forum; 17,000 seats; $51)

After staying away from the public eye, Pearl Jam's return to the concert stage has been warmly received across the country. Their triumphant show Sunday at the Forum was as masterful as it was long -- nearly three hours -- and the former Seattle grunge leaders performed as if they wanted to be all things to all of their fans, blending hits, obscurities and a healthy dose of tunes from their new self-titled disc, an album that can stand up with their best work like "Vitalogy" and "Ten."

It's hard to tell whether Pearl Jam entered this tour with an agenda, but they have struck a clear balance among the elements that brought them a dedicated fan base in the 1990s; despite an off-putting sound mix that was never exactly right, the band appears committed to delivering a top-notch show.

Opening block of 17 songs was powerful without being grandiose, a showcase for new, dark songs -- "Worldwide Suicide," "Severed Hand," "Inside Job" -- alongside warhorses such as "Jeremy" and "Rearviewmirror." Body of the concert had a solid classic rock feel to it with no signs of past Pearl Jam crimes -- jam band noodling, political grandstanding or playing of obscure material for obscurity's sake. This night was Pearl Jam doling out hits (10 of the night's 29 tunes have had some chart success) and playing material rooted in the '70s rock sound of the Stones ("Given to Fly"), the Who ("Unemployable") and the Ramones ("Whipping").

The compact punchiness of the set reminded, not incongruously, of the Who's "Live at Leeds," when Pete Townshend and company were attempting to integrate the thematically tied tunes of "Tommy" into a raucous show based on the quartet's earlier and rawer material. Pearl Jam doesn't have a masterwork that it wants to squeeze in among their early gems, but it does want to make clear to the sold-out crowd that the band has not changed nor wavered in its commitment to any aspect of its past: Eddie Vedder is clearly appreciative of the fans' support, and ensuring a strong bond between artist and audience seems oddly paramount to him.

Show included two lengthy encore segments, the first of which allowed Vedder to aim for a quieter and more nuanced series of songs, including his rewrite of Phil Ochs' "Here's to the State of Mississippi," which he performed with Tim Robbins. Final seg started with J. Frank Wilson's "Last Kiss" and ended with "Yellow Ledbetter" -- the only moments that kowtowed to the band's impression of what the audience might expect of them.

Seg also included a blazing version of "Comatose" and a reading of the Who's "Baba O'Riley" that was more of a tribute to the way rock 'n' roll concerts used to be than a nod to Townshend; Vedder, for all his reclusive behavior, seems to want a return to an era when established stars pushed each other artistically, mingled socially and brought about social change through common concerns and actions.

Pearl Jam is about one third of the way through a 70-concert world tour that began in May and ends just after Thanksgiving. They are performing with a host of different acts on the bill, among them Tom Petty and the Heartbreakers. L.A. shows were opened by Sonic Youth, the experimental New York band that has released its most accessible and melodic record, "Rather Ripped" (Geffen), in their 23-year career. Performing in near darkness, they delivered a focused set weighed heavily toward mid-tempo melodic rock.
:bb: Jeremy est né le 28.04.06 et Fanny le 17.07.09 :bb:
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Message par Olikatie » Mar Juil 11, 2006 5:34 am

http://today.reuters.com/news/newsArtic ... ived=False

Pearl Jam rocks out like it's Saturday night

LOS ANGELES (Hollywood Reporter) - It was billed as a Pearl Jam concert, but perhaps it should have been called "Sing-Along With Ed."

The most memorable moments during the Seattle band's epic two-hour-and-40-minute show at the Forum came when singer Eddie Vedder was joined on vocals by the sold-out crowd several times during the night, and by actor Tim Robbins during an encore.

Early in the first show of a two-gig stint at the Forum, Vedder acknowledged that it was Sunday, but vowed that he and his four comrades would treat it like it was a Saturday night, and the quintet didn't disappoint. More than 15 years into its career, Pearl Jam may be the world's most unlikely party band. If you're unfamiliar with the group's material, just consider the titles of its most recent radio hits -- "Life Wasted" and "World Wide Suicide" -- or Vedder's often dour, messiah-like stage presence, rivaling U2's Bono for delivering heavy messages with the music.

On Sunday, Vedder and company found a nice balance, focusing mostly on entertainment while managing to get a few key points across. Even the most downbeat songs, including the suicide-themed monster hit "Jeremy" -- which was transformed into the night's first sing-along -- came across triumphantly.

Vedder's charisma may rival Bono's, but Pearl Jam is quite different from U2. While the Irish band strived to be the biggest band in the world, Pearl Jam has been retreating ever since "Ten," its 1991 debut album, became one of the best-selling rock albums ever. Each subsequent release has sold fewer copies as the band shunned traditional marketing tools like music videos, railed against Ticketmaster and used its own star power to bring attention to its unsung heroes. On Sunday, punk veterans Sonic Youth opened the show, and Vedder tried to ensure that the biggest crowd possible saw the band by performing "Porch" as a solo acoustic number before introducing the opening act.

Pearl Jam's own set included the same sort of risk-reward tactics. The band peppered its list of favorites with songs from its latest self-titled effort, though the new songs, like the heart-breaking "Unemployable," served as a bathroom break for some. That song reminded Vedder that he had to dance around a potential political hot potato. Fans entering the Forum were greeted by janitors and stagehands striking over a proposed pay cut. Vedder said when the show was booked, he was unaware of the labor dispute, but he does support the unions.

There also was a dirty joke about vice president Dick Cheney and an updated version of Phil Ochs' "Here's to the State of Mississippi," with Vedder and actor-activist Robbins taking stabs at President Bush. More times than not, however, Pearl Jam's show was about having a rocking good time, not too different from the best classic rockers. That point was driven home by a lights-on cover of the Who's "Baba O'Riley" and guitarist Mike McCready's set-closing, Jimi Hendrix-like recital of "The Star-Spangled Banner."

Reuters/Hollywood Reporter
:bb: Jeremy est né le 28.04.06 et Fanny le 17.07.09 :bb:
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Message par Olikatie » Mar Juil 11, 2006 3:06 pm

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:bb: Jeremy est né le 28.04.06 et Fanny le 17.07.09 :bb:
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Message par Olikatie » Mer Juil 12, 2006 7:16 am

Photos du 10c:
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:bb: Jeremy est né le 28.04.06 et Fanny le 17.07.09 :bb:
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Message par Olikatie » Mer Juil 12, 2006 7:22 am

photos du LA Daily News (article posté plus haut)

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:bb: Jeremy est né le 28.04.06 et Fanny le 17.07.09 :bb:
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Message par Olikatie » Jeu Juil 20, 2006 7:09 am

Here's To The State of George W., Eddie Vedder and Tim Robbins in LA on 7/9/06

[swf]http://www.youtube.com/v/CVR-g-YOrgU[/swf]
:bb: Jeremy est né le 28.04.06 et Fanny le 17.07.09 :bb:
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